Days of light and shadows
The resonance gets stronger as you approach the buildings. They are surrounded by soft, rolling hills that stretch into the horizon, close but unreachable. Like a friendship crippled by distance, always close but never close enough. From them, extending down to your feet, prairies full with the promise of spring and standing alone in one of them, a tree, lonely and tall and proud, even if naked by winter.
Stepping into the mission feels like boarding a ship quickly abandoned in depp see in a rush at the news of imminent sinking. Life here stopped long ago. Yet, there are traces of activity everywhere you look. A dip on the dirt floor of a threshold endlessly trespassed, the circular groove around a keyhole where a now missing key turned before a thousand times, the smoke of fires lit in the chill of the night dressing some of the walls, the faint pathways in the cemetery marking the way for the burial and mourning of those who fell here, forever lost to a foreign land. Forgotten lives many times remembered, empty spaces full of past.
And, same as the ocean makes the existence of a boat possible at the price of swallowing it, slowly but restlessly, time is slowly eroding the mission, erasing it while converting it into something extraordinary , magnificent in its tatteredness, vigorous in its exhaustion, full in its emptiness.
The place is deserted and the silence surrounding everything only broken every now and then by the distant sound of birds chirping in this winter morning and the worn out wood planks creaking under your feet as you enter the different rooms.
The crisp light of the morning outside quickly dies engulfed by the perpetual darkness that lives inside these windowless walls, its attempt at brightening them beautiful and moving in its futility.
A scene awaits that makes you stop and evokes a sense of recognition so intense that it shrinks your heart and fills your eyes with tears.
It is a bench by a wall in a windowless room, looking helplessly at the light that pours in from the door right next to it, unable to reach it, so close and yet imposibly far, its shape devoured by the shadows that reign in the room.
The moment is broken when a skinny, older man, his hair thin and grey, and a young, blond, freckled, bored looking girl that might be his granddaughter show up at the door of this room. You reply back to their short, polite greeting without paying much attention, but something in your attitude must awake the man’s curiosity because, as the bored looking girl has seen that the room is empty except for the bench, and having turned around, is back outside ready to move on, the man, right when he is about to leave the room as well, turns around instead and, for a second, stands right in front of you. Without looking, you feel his eyes on you and hope that, in the darkness, he won’t see the tears as he finds your eyes and follows them to discover what it is that you are looking at.
He finds the wall and, from there, his eyes move down to the bench first, and then back at you with a mixture of confusion and doubt in his face, disregarding the bench without giving it a second thought. There is genuine curiosity in his voice when he asks you what it is that you are photographing in there.
Days of light and shadows, you reply with a knot in your throat. And you exit the room, leaving the man standing behind.












